I picked up Akemi Dawn Bowman's Harley in the Sky purely for its cover when I last hit the library. I've always been interested in the circus. My first attempt at a dissertation having been a discussion of the circus in art and literature, and a good number of my tattoos are circus-based. I was slightly put off by the review that indicated the presence of mental health discussion, but I was too drawn in by the blurb to put it down.
Protagonist Harley's parents run Teatro della Notte, a circus and dining experience in Vegas. She has long been obsessed with the big-top and is determined to become a performer. A dedicated aerialist, she argues with her parent's over their insistence that she attend a local college instead ofwith the thought of being an aerialist, her parent's insistence that she attend college instead of pursuing her dream of being mentored by the lead performer. After many failed attempts at convincing them, she steals her father's sheet music as payment and runs away to join Maison du Mystère. A rival, travelling circus.
When Harley arrives at the circus she is met with animosity from the lead act Maggie, who refuses to mentor her as Simon, the circus' owner, had promised. Determined to make her way into the troupe she befriends her roommates, ignores Maggie's attempts at making her a social parier and practises night after night with Violinist Vas' company. Eventually, the two of them are asked to choreograph a closing act and Harley achieves her dreams of performing, only for Simon to replace her.
This is where the subject of Harley's mental health comes into play, and as someone with borderline personality disorder, I found the text surprisingly relatable. The text touches upon Harley's rotating obsessions and impulsions that lead her to hyper-focus on an ever-moving list of topics, with Harley describing the all-consuming euphoria she feels when she finds something that makes her happy. References to the month of November are sprinkled throughout the text before the depressive period she experiences after she leaves Maison du Mystère, and it is revealed that she previously expressed a desire to commit suicide.
Harley and Vas' conversations about her mental health are where my own opinion differs. Harley expresses a desire to not be given a diagnosis and reiterates that she's happy not knowing what her mental illness may be because it doesn't change the outcome. My own experience was polar opposite, and I wanted nothing more than to be told what was wrong with me in an attempt to fix myself. I thought that a name would lead to a pill that could solve all my problems. It didn't.
After her depressive period that leads to her swearing off the circus, Harley re-discovers her love of being an aerialist, discusses her options with her parent and finally performs at Teatro della Notte. It's not the dream headlining role that she'd pictured, but it is a magnificent step forward towards her goals.
Another topic that the novel discusses is the feeling of not belonging. Of not knowing who you are. Born to two bi-racial parents, Harley finds herself stuck between each area of her heritage and not knowing where she really fits in. This feeling is reiterated through her experience trying to make friends when she first joined the circus, and although it doesn't fully explain or discuss all aspects of her heritage, it succeeds in discussing how a multi-racial person may find it difficult to fit in with differing cultures.
As a text, Harley in the Sky is one of the better novels I've read in a while. I've been rinsing through my local library's teen-fiction section and it was refreshing to read something that didn't involve a car accident or coma. As someone whose artistic interest began during the Impressionist period, I'd definitely recommend it to anyone who enjoyed Sara Gruen's Water for Elephants and I'm looking forward to finding other texts about circus performance.
You'd also like it if you enjoyed the live-action version of Dumbo.
Stay safe on the road
Jess




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